11.08.19

A cross-sectional look inside Singapore’s Jewel Changi Airport

BY YASMIN GAGNE 2 MINUTE READ

With 65 million travellers passing through in 2018 alone, and amenities that include a butterfly garden and a rooftop swimming pool, Changi Airport is one of the world’s leading transit hubs and a prominent part of Sin­g­apore’s identity. It’s now part of the city itself, thanks to the four-month-old, US$1.3 billion Jewel extension. Safdie Architects’ lead architect, Moshe Safdie, says he wanted the 130-thousand-square-metre complex to attract travellers and locals alike. He succeeded: Today, about 60 percent of Jewel’s visitors are from Singapore. “Many developers want Disney-like attractions,” he says. “[But those] have limited appeal for return visitors. I wanted something timeless that could uplift passengers from the stress of travel.”

A Paradisal Oasis
The centerpiece of Jewel is a tropical garden that spreads across 25 square metres and five stories, and contains more than 2,000 trees and palms and 100,000 shrubs. Visitors can explore the area, accessible 24 hours a day, via trails and walk (or bounce) above the treetops on a pair of sturdy, nearly 25-metre-high nets.
A glass canopy bridge (1) is suspended more than 22 metres above the ground. On top of everything sits the domed roof, made from 9,000 soundproof glass panels with small gaps between them for circulation. The 2,563 tons of glass filter in light for the plants while reducing heat. Safdie installed a displacement ventilation system to keep conditions warm for the plants. Mist from the waterfall cools the space and reduces the load on the cooling system. To avoid cluttering the main areas with lots of columns, each of the building’s 10 floors is held up by column clusters that start from a single base and fan out as they reach the ceiling.

An Unnatural Wonder
The building is shaped like a doughnut; rainwater flows into a hole where the world’s largest indoor waterfall sits—the Rain Vortex (2). Five-hundred-thousand litres of water pour from the opening in the dome to the building’s basement. When it is not raining, recirculated water is pumped back up to keep it running. California-based WET Design, run by former Disney Imagineers, created animated light shows to project o nto the cascade. An acrylic column catches the water as it reaches the bottom of the building and helps prevent splashing.

Refreshing Experiences
Away from the garden, the retail complex contains 200 stores, including the first Pokémon center in Asia outside of Japan and Nike’s largest outpost in Southeast Asia. The 90 restaurants range from A&W and Shake Shack to Singapore’s own Violet Oon (serving kueh pie tee and other Peranakan dishes) and Shang Social (3), the Shangri-La hotel group’s first standalone restaurant. Jewel’s top floor is devoted to recreational space, including outdoor terrace dining and an events plaza that holds up to 1,000 people. There’s also a hedge maze (4) and an enormous four-sided sculpture that doubles as a series of slides.

Seamless Connections
Changi worked with more than two dozen airlines to install early-check-in stations (5), allowing travellers to drop off their bags before exploring the extension. The complex houses a luxury lounge for passengers that connects to cruise ships and ferries, and a YotelAir hotel, which contains 130   “cabins”, bookable by the hour. A skytrain connects to the terminals, giving  passengers a view of the garden and waterfall. To accommodate the influx of visitors, the airport parking lot was expanded to five levels that house some 2,500 cars. Jewel Changi is set to receive the highest rating from Singapore’s Green Mark programme for environmentally sustainable buildings.


Read more inside Fast Company SA’s October/November 2019 issue. 

10.07.19

The Crypto Period

BY YASMIN GAGNE 3 MINUTE READ

Leaders in humanitarian aid, finance, technology and more have embraced the distributed ledger known as blockchain to bring transparency to their operations. The art world is experimenting with it as well, seeing the technology as a way to revolutionise how art is bought and sold, thwart fraud and tax evasion, and reduce friction during the auction process. Here are the many ways that buyers, sellers and enterprising artists are embracing this new medium.

THE ARTIST
Visual artists are increasingly creating digital artwork, which may never have a physical presence. Digital files, however, can be replicated and distributed without the artists’ consent. By registering their work on the blockchain, artists can establish proof of ownership and therefore a secondary market. Some are even using blockchain technology itself as a canvas. In February 2018, artist Kevin Abosch sold Forever Rose to a collective of investors for cryptocurrency valued at $1 million. Each buyer received one-tenth of a virtual rose – effectively a string of code – as a token on the blockchain, which they can keep, sell or give away.

THE COLLECTOR
Forgeries are still rampant in the art world. Collectors worried about the authenticity of a purchase can use the blockchain to track its ownership history. Several startups, including Codex and Verisart, offer artists, collectors and galleries registration and certification services. When a piece is registered, details of its physical characteristics and history are stored in a time-stamped entry on the blockchain that can be verified. “I think of [the blockchain] like LinkedIn,” says Verisart Co-Founder and CEO Robert Norton. “A single unverified claim might look suspicious but one that other issuers can endorse can hold more value and credence.”

THE ART INVESTOR
Singapore-headquartered firm Maecenas is using blockchain-based cryptocurrency to sell shares of artwork. In June 2018, the company partnered with the gallery Dadiani Syndicate for its first sale, offering a 31.5% stake in Andy Warhol’s 14 Small Electric Chairs, valued at $5.6 million. “We’re not selling art, we’re selling a financial product,” says Kim Randall-Stevens, Maecenas’s Director of Acquisitions and Sales. “Eventually, anyone who wants to liquidate a fraction of their artwork will be able to do it.” In the coming months, the company will roll out a blockchain-based platform for trading such shares.

THE AUCTION HOUSE
Christie’s piloted a blockchain-based encryption and registration service at the November 2018 auction of the Barney A. Ebs­worth Collection in New York. The auction house worked with art registry service Artory to create a digital certificate for pieces in the estimated $300 million sale (which included work by Edward Hopper and Georgia O’Keeffe). The certificate records a description of the work and price, and tracks its provenance as it gets bought or sold. Richard Entrup, Global Chief Information Officer at Christie’s, says that the benefits of the blockchain include “increased transparency and long-term data security for relevant information about the artworks.”


How blockchain technology keeps art ownership transparent
1. An artist creates a new piece, or a collector or gallery makes a sale, and certifies it with a token on a blockchain.
2. When the artwork is purchased from the artist, the token transfers to the buyer.
3. Each time the piece is resold, the token transfers with it.
4. The token transactions are stored publicly on a distributed ledger that anyone can edit or access, so buyers and sellers can easily track the entire history of ownership. If the token doesn’t originate with the artist’s crypto wallet, or with a well-known gallery or investor, its provenance could be called Into question.


Article originally appeared in Fast Company’s May 2019 issue.