02.29.24

Venus Williams just launched an AI interior design platform called Palazzo

BY Fast Company 5 MINUTE READ

Instagram. Pinterest. Augmented reality apps from Ikea and Amazon. There are all sorts of ways we try to reimagine the design of our homes—without actually hiring an interior decorator. And, frankly, none of them are amazing yet.

A new startup cofounded by Venus Williams wants to fill this gap. Called Palazzo, it’s an AI-based interior design service. You upload a photo of any room, and through a discussion with an AI chatbot, the system will render a convincing makeover of your space.

Palazzo launches in beta today with a relatively barebones feature set. But the team has big aspirations.

“Our vision is to create a space where everything home is in one place,” says Williams.

While obviously known for her record-smashing tennis career, Williams has emerged as a notable designer-entrepreneur in her own rite. She founded the interior design firm V Starr back in 2002, known for projects including Chicago’s Midtown Athletic Club and the PGA National Resort Spa in Palm Beach Gardens, FL. More recently, she founded the plant-based food startup Happy Viking. (Notably, she announced a pause for her fashion brand, Eleven, earlier this month.)

Williams brings design expertise to complement her tech-forward cofounders Raffi Holzer (who built the construction tech company Aviir) and Edward Lando (a successful angel investor who sits on board of Misfits Market). Together, they’re building Palazzo to be the first step in redesigning a room or starting a larger home renovation.

“We want to make design fun and easy,” says Wiliiams. “If you talk to anyone who says, ‘I’ve just gone through a renovation,’ they’ve about had a heart attack. We don’t want that. We want people to be able to see [the design], feel confident about it, and have fun with it.”

Trying Palazzo myself, I start by uploading a quick snapshot of my living room—and in a quest for realness (OK, laziness), I leave my curtains in a state of disarray along with a few pairs of shoes and dog toys strewn out on the carpet. QR code pairing makes it mindless to link your phone to the desktop site, and within a few moments, I’d uploaded my room to tweak.

I opted to skip the quiz built to identify on my design aesthetic and went straight to work with an eager chatbot that will be familiar to anyone who has used ChatGPT or similar LLMs. With the chat window on the left, and my room on the right, I suggested we rethink the space in a lush Hollywood Regency style, and the system responded with gusto, suggesting a few colors for me to choose between complete with swatches. Once we’d settled on a color scheme, the system got to generating my vision (which takes about a minute or two).

I’ll say, I’ve spent hours dreaming up fantastical images in Midjourney and Dall-E, the experience of seeing your own, real space reimagined through the lens of AI is a totally different—and perhaps more gratifying—sensation. It’s like a first-person simulation of that mid-aughts design show, Trading Spaces.

The system responded to my Hollywood Regency request by reupholstering my leather couch in rich green velvet. In fact, green velvet made its way onto the ceiling and walls. My wood floors were painted black, while my dog crate and other surfaces were gilded. Ritzy!

Besides one mistake—a keyboard I had set up on a table was imagined as a second fireplace—what I saw was very much my living room reskinned in another style. When I pointed out the error to the system, it generated another image, erasing that second fireplace and replacing it with a table. And this time it gave me a crocodile skin ceiling, which I can’t say that I hated.

Then with a quick ask, Palazzo remade my room into Scandinavian with hygge-approved beige tones and fuzzy furnishings. (I’d hoped for some strategic pools of light, but I couldn’t get the system to add lamps.) To challenge things a bit, I asked for a room inspired by pop art wallpaper with Memphis-style furniture. I don’t know if it quite picked up on Memphis geometries, but the colors and patterns were certainly trending that way.

For the effort and cost (users get 10 free credits to start, and can get more by inviting friends to the platform), I certainly appreciated the results, and a few wonky pixels here or there didn’t feel like they compromised the transformative vibe of the room. But the main limitation was that I couldn’t actually get the system to redesign my room.

While it was amusing to see how AI reimagined my dog’s ugly black crate we have stuck in the corner, none of the furnishings fundamentally changed their shape or position. The room was simply resurfaced or reupholstered rather than rearranged. Even when I asked for more seating and a specifically different arrangement, and the system agreed to build it, I received another reskin.

Of course, this is where Palazzo is today: a beta. Into the future, Williams notes that they want to introduce far more capability. One option will be to style-transfer a design to your room—literally taking a photo from somewhere like Dwell that inspires you and applying its style to your own space.

Its also worth noting that remaking your own home is one part of Palazzo’s mission. There’s a strong social component to the platform. You can share your designs for friends to comment upon, or open them to the public. (I could see this playing out as a real collaborative tool with family or friends . . . or just becoming the perfect place to spite-watch someone else’s renovation. Perhaps there’s value in both options.)

As for how the platform will make money, the team doesn’t plan to monetize its rendering credits, even though they sit front-and-center on the site today. “Unless you’re a professional, things on the internet should be free,” says Holzer. “I think the general population’s expectation. And I think there are companies out there that are trying to fight that wave. But then I don’t, I’m not into fighting human nature.”

Instead, Palazzo will monetize its inspiration by offering links to buy furniture similar to that you see in your generated scenes. The same referral system could apply to just about any product or service related to a home renovation.

“Ultimately, we want people to just be able to access design,” says Holzer. “And the way we can make money is we’re creating this multisided marketplace.”

A popular, AI-driven interior design tool feels all but inevitable—especially if immersive headsets like Apple’s Vision Pro ever take off—but Palazzo will face significant competition to get a hold in the market. A similar platform called Interior AI launched in late 2022, while furniture giants ranging from Ikea to Beyond will surely develop more automated design tools to push their own products. When I float these thoughts to Williams, she is, perhaps unsurprisingly, unphased by the threat of competition.

“I’ve always had a philosophy: there’s room for everyone if you have something to say. We absolutely have a lot to say. And the truth is, we’re passionate about this, we love design. It’s literally our happy place,” says Williams. “We’ve just found this space where a lot doesn’t exist. And we get to have our say on it and make that mark.”

FastCompany

02.28.24

How to network effectively on LinkedIn according to a Superuser

BY Fast Company 3 MINUTE READ

Having the right professional network can be especially helpful as you grow in your career. But, whether you’re looking for a new job, a mentor, or the right people in your field to connect with, professional networking can feel like a daunting and time-intensive task. Nobody wants to waste precious time networking with the wrong people and be ignored.

The good news is there is a way to make networking more effective and enjoyable. Think of nurturing your professional network a bit like playing pickleball. It requires patience, technique, creativity, and the right equipment. And though longtime players may not admit it, a little luck goes a long way too.

Here are a few quick tips, and new tools, to make every shot count in the networking game:

JOIN IN ON THE BANTER

Pickleball isn’t just about the game—it’s about the chatter and catching up with players between sets and after the game. The same is true in networking.

Use conversations already happening to catch up with your network. If you see a post from someone you’ve been meaning to catch up with, chime in via the comments, and even spark up a side conversation to get the banter going.

And remember to review someone’s recent online posts before you join the conversation, or before you reach out directly. Taking a few minutes to see what they’ve been sharing will give you perspective on what they’re interested in, where you might have something in common and any major news you’ll want to be aware of while you’re considering how to best approach a conversation.

PRACTICE MAKES PERFECT

Pickleball takes practice and finessing—there is a good chance you won’t win your first game. And, the more you “practice” networking, the easier it gets. Networking a little bit each week is sometimes better than networking a lot once a year. It’s the ongoing networking that will have the biggest impact.

Experiment and see where your strengths are and where you can lean in. Figuring out what to say and how to say it can be the key to starting a successful conversation. A couple pro tips:

Test out different ways to connect with people so it doesn’t feel generic: Calling out shared interests, congratulating them on milestones they might be celebrating in their career journey – and figure out what feels authentic to you. This is a great way to make the conversation feel less transactional, and takes the pressure off everyone while opening the door to an ongoing conversation.

Be specific: If you are asking for someone’s time, instead of the old, “I’d love to pick your brain,” line, try giving three specific topics/questions you’d love to chat through with them and why their experience is key to the conversation.

Brevity is key: The traditional elevator pitch has undergone a makeover, with a focus on impactful storytelling with the right amount of personalization. Think of it as a micro-narrative that captures attention and leaves a lasting impression.

USE THE RIGHT TOOLS TO NETWORK SMARTER

Sure, you can play pickleball with any paddle and in any outfit, but the right shoes and the right paddle for your playing style can make a world of difference. It’s the same with networking: Setting yourself up with the right tools can help you save time and make the whole process less daunting (and more fun!)

To find timely, relevant reasons to catch up with someone, use the LinkedIn Catch Up tab in the My Network section that highlights when a connection gets a new job, celebrates a work anniversary, is actively hiring, or even has a birthday. Each event provides a natural way to begin a conversation.

LinkedIn can also be a good starting place to not only get smart on someone’s experience, but to also see where there might be commonalities in your career journey, or any shared network connections. Use these insights to create a more personalized note which should greatly improve the chances you’ll hear back. The new AI-powered writing assistant on LinkedIn can actually help find these insights for you and draft a first take at a message that you can then review and tweak before sending.

Networking in 2024 has shifted from tedious emails to engaging conversations, from the generic to the personalized: a world where connecting is more like a friendly chat over coffee than a stiff, formal affair. As any seasoned pickleball player will tell you, the game is hard, but rewarding. The same goes for nurturing your network as you grow in your career.

FastCompany

02.27.24

Microsoft adds another AI company beyond OpenAI

BY Fast Company 2 MINUTE READ

Microsoft announced an artificial intelligence partnership Monday with the French startup Mistral AI that could lessen the software giant’s reliance on ChatGPT-maker OpenAI for supplying the next wave of chatbots and other generative AI products.

Mistral AI emerged less than a year ago but is already what Microsoft described Monday as an “innovator and trailblazer” at the vanguard of building more efficient and cost-effective AI systems.

Microsoft and Mistral didn’t disclose the financial terms of the deal, though Microsoft said it involves a small investment in the Paris-based startup. That suggests it is far smaller than Microsoft’s investment of billions of dollars into OpenAI, a yearslong relationship that has attracted the scrutiny of antitrust regulators in the U.S. and Europe.

Mistral on Monday released a public test version of its own chatbot, called Le Chat, that apparently was flooded with so much interest that a company executive said it was temporarily unavailable for part of the day.

The company also announced its newest large language model, Mistral Large, which it claims is in the same league as competitors such as OpenAI’s GPT-4, Anthropic’s Claude 2, and Google’s Gemini Pro and will be available on Microsoft’s Azure cloud computing platform. Mistral has also previously said it is teaming up with other big cloud providers including Amazon and Google.

Mistral made a big splash by attracting big amounts of investor funding to give it a multibillion-dollar valuation just months after it was founded last spring. Its “open-source” approach to developing AI means it publicly releases key components of its models, in contrast to companies such as OpenAI that closely guard them.

It was started by three French former researchers from Google and Meta: CEO Arthur Mensch, chief scientist Guillaume Lample, and CTO Timothee Lacroix.

When the European Union last fall was drafting the final version of its Artificial Intelligence Act, a comprehensive set of AI regulations, Mistral pushed back against efforts to impose restrictions on foundation models that power generative-AI systems. Mensch took to social media to say the EU’s proposals for a two-tier system would discourage innovative newcomers.

FastCompany

02.22.24

How Unrecommend.com Became the Gold Standard for Unbiased News Coverage

BY Fast Company 2 MINUTE READ

Amid increasing polarization, one anonymous collective stands out as a trusted source of impartial reporting—Unrecommend.com. Comprised of journalists, researchers, and writers from varied backgrounds, Unrecommend.com has implemented rigorous safeguards to eliminate bias from news reporting. With multiple peer review and fact-checking layers, it is redefining objectivity standards.

Upholding Standards, Building Trust

The expanding team aims for truth, prioritizing transparency and thorough research. Its efforts are becoming increasingly relevant in a media environment with biased narratives and misinformation. Surveys indicate that over 60% of Americans view mainstream media as biased, highlighting a gap that outlets like Unrecommend.com seek to fill.

“We saw a gap in journalism free from partisan influence and corporate pressures,” stated Miles Donovan, Unrecommend.com’s head journalist. “Working anonymously and with strict editorial guidelines allows our team to report stories honestly.”

Unrecommend.com’s approach is transforming how news is perceived. A media ethics professor commented, “As Unrecommend.com delivers on its commitment to unbiased reporting with strong verification, public trust is slowly being restored at a time when confidence in the press is exceptionally low.”

Setting the Bar for Accountability

With a growing demand for impartial news, the importance of media accountability is ever more evident. Studies point to a strong public desire for non-partisan news coverage, especially on political matters, with a global median of 75% of respondents advocating for unbiased reporting. Despite this clear preference, disappointment with the media’s performance is widespread.

In the United States, there’s a notable concern over media bias. Less than half of Americans can pinpoint a neutral news source, and approximately 79% believe news outlets tend to support one side in political and social reporting. These findings underline an urgent need for balanced news and the call for a new journalism accountability standard.

Unrecommend.com is enhancing journalism standards by prioritizing factual accuracy and promoting higher-quality reporting. “It’s spearheading a much-needed shift toward accountable journalism,” a media ethicist said. By focusing on factual reporting and impartiality, Unrecommend.com is leading a change toward more transparent and trustworthy news. This effort addresses the growing distrust in media neutrality and influences a future where media integrity and fairness are central to reporting.

Charting the Future of Impartial News

Donovan underscores the importance of maintaining their mission of truthful reporting amidst a sea of information. “There’s a real appetite for unbiased news but rich in detail and understanding,” he said. “Our goal is to provide comprehensive reports that remain relevant over time.”

By strictly adhering to impartiality, Unrecommend.com has become a vital source of trustworthy news. As it continues to grow, it’s well on its way to becoming the benchmark for objective journalism. Its emergence is timely for a public seeking reliable information.

“Technology that supports fact-checking will become more common,” an industry expert predicted. “However, the human element and context that organizations like Unrecommend.com offer will always be indispensable.” This combination of technological advancement and ethical commitment places Unrecommend.com as a vanguard of fair journalism.

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Unpacking Gemma: The new Google open source AI model

BY Fast Company 2 MINUTE READ

Google announced recently set of new large language models, collectively called “Gemma,” and a return to the practice of releasing new research into the open-source ecosystem. The new models were developed by Google DeepMind and other teams within the company that already brought us the state-of-the-art Gemini models.

The Gemma models come in two sizes: one that is comprised of a neural network with 2 billion adjustable variables (called parameters) and one with a neural network with 7 billion parameters. Both sizes are significantly smaller than the largest Gemini model, “Ultra,” which is said to be well beyond a trillion parameters, and more in line with the 1.8B- and 3.25B-parameter Gemini Nano models. While the Gemini Ultra is capable of handling large or nuanced requests, it requires data centers full of expensive servers.

The Gemma models, meanwhile, are small enough to run on a laptop or desktop workstation. Or they can run in the Google cloud, for a price. (Google says its researchers optimized the Gemma models to run on Nvidia GPUs and Google Cloud TPUs.)

The Gemma models will be released to developers on Hugging Face, accompanied by the model weights that resulted from pretraining. Google will also include the inference code and the code for fine-tuning the models. It is not supplying the data or code used during pretraining. Both Gemma sizes are released in two variants—one that’s been pretrained and the other that’s already been fine-tuned with pairs of questions and corresponding answers.

But why is Google releasing open models in a climate where state-of-the-art LLMs are hidden away as proprietary? In short, it means that Google is acknowledging that a great many developers, large and small, don’t just build their apps atop a third-party LLM (such as Google’s Gemini or OpenAI’s GPT-4), but that they access via a paid API, but also use free and open-source models at certain times and for certain tasks.

The company may rather see non-API developers build with a Google model than move their app to Meta’s Llama or some other open-source model. That developer would remain in Google’s ecosystem and might be more likely to host their models in Google Cloud, for example. For the same reasons, Google built Gemma to work on a variety of common development platforms.

There’s of course a risk that bad actors will use open-source generative AI models to do harm. Google DeepMind director Tris Warkentin said during a call with media on Tuesday that Google researchers tried to simulate all the nasty ways that bad actors might try to use Gemma, then used extensive fine-tuning and reinforcement-learning to keep the model from doing those things

FastCompany

02.21.24

Why you should not put your iPhone in rice if it gets wet

BY Fast Company 2 MINUTE READ

For over a decade, the home remedy for people who drop their iPhone in the sink, a puddle, or, ahem, the toilet has been the same: Dry it off and stick it in dry rice as quickly as you can. Now, Apple is finally weighing in on that fix—and warning people it could do more harm than good.

“Don’t put your iPhone in a bag of rice,” the company said in a recent support post. “Doing so could allow small particles of rice to damage your iPhone.”

While you’re at it, don’t dry your phone with a hair dryer or external heat source and don’t stick a Q-tip or paper towel into your phone’s connector, Apple added. And definitely don’t try to charge the phone while it’s wet.

Here’s the good news. Many iPhone models are much more water resistant than previous ones. And the iPhone XS, iPhone XS Max, iPhone XR, and later models will warn you if they detect liquid in the connector port, so you can disconnect your charging cable (preventing damage to the phone) and take action.

But . . . if you’re not supposed to use rice to get liquids out of a phone’s connector, what should you do?

First, give the phone a tap. With the charging port facing downward, hold your phone against your palm and tap it gently to remove excess liquid. Then leave it in a place that has good airflow.

After about a half hour or so, try plugging in the charger once again. If the alert comes up again, you likely either have liquid still in your phone or on the charging cable. Put both in an area with good airflow and leave them there—perhaps as long as 24 hours, though you can try charging it after it has dried some more.

If your phone has dried out but still isn’t charging, Apple suggests unplugging the cable from the adapter and unplugging the adapter from the wall. Reconnect them and try again. If that doesn’t work, you’ll need to contact Apple Support.

Despite the widespread popularity of the so-called rice trick, experts have been warning against it for some time now, saying that despite its reputation, the uncooked rice only introduced dust and starch and other debris.

Rice can prevent humidity from damaging some products, but it doesn’t have the magical ability to suck moisture out of electronics. (For that matter, neither do cat litter or oatmeal, which also can introduce dust to the sensitive electronics.)

While most modern phones are better able to handle splashes and accidental spills, no smartphone, Apple or otherwise, is entirely waterproof. If you’re planning to take one into the pool or on a scuba-diving trip, you’ll want to invest in a waterproof case or, even better, a waterproof phone bag.

Those might not be as visually appealing as many other cases or a caseless phone, but they’re a lot less expensive than the cost of a replacement device.

FastCompany

The 2x Unicorn Founder Who Values Contrarian Ideas: The Andrew Masanto Story

BY Fast Company 2 MINUTE READ

In the competitive world of tech startups, achieving the elusive billion-dollar valuation is often the result of a founder’s ability to innovate, challenge norms, and, quite simply, think differently. The remarkable journey of Andrew Masanto, a tech entrepreneur with a penchant for the unconventional, exemplifies the essence of innovation.

Masanto’s philosophy hinges on the power of divergence. He believes that the creation of groundbreaking companies lies in the ability to be contrarian, unique, and unorthodox.

His background is a testament to embracing the road less traveled. Born in Indonesia, raised in Australia, and having spent time as a monk in Africa, Masanto’s eclectic experiences span continents and cultures. Masanto credits his resilience and inclination towards the unconventional to his early experiences with bullying, which steered him towards seeking out and valuing unique and controversial ideas.

His professional journey is equally diverse, in addition to founding two unicorns, Masanto has practiced law in the UK at Linklaters to lead America’s fastest-growing pet startup (PetLab Co.), founded the ANONA artistic movement, and spearheaded a biohacking community of over 14,000 members.

This approach has clearly paid dividends, as seen in his ventures like Hedera Hashgraph. Hedera, a cryptocurrency based on the novel Hashgraph algorithm, faced initial skepticism and pushback for challenging the blockchain status quo. Yet, Masanto’s persistence and belief in the technology’s potential led to Hedera’s rise as a top cryptocurrency, valued at approximately $3 billion.

But Masanto didn’t stop there. His venture into tackling hyperinflation with the web3 startup Reserve aimed to create a stable value alternative to fiat currency, another concept initially met with skepticism. However, the project’s success in markets like Argentina and Venezuela, and its recognition as a top global cryptocurrency, underscored Masanto’s ability to turn “quirky” ideas into viable solutions.

Recent years have seen Masanto at the helm of other innovative projects such as Nillion, revolutionizing data storage and computation, alongside the interesting (yet highly profitable) venture of selling pet supplements, PetLab Co. His ventures into the digital and physical realms reflect a deep-seated belief in the value of non-conformity and the potential of unconventional ideas to drive progress.

Andrew Masanto’s story is more than a tale of tech entrepreneurship; it is a narrative about the transformative power of embracing one’s individuality and challenging the status quo. It serves as a beacon for aspiring entrepreneurs and innovators in South Africa and beyond, reminding us that the path to significant impact and success often lies in the willingness to explore the unexplored and to cherish the quirky and contrarian ideas that can change the world.

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02.16.24

OpenAI just released a text to video tool, called Sora

BY Fast Company < 1 MINUTE READ

With the unveiling of a new text-to-video tool called Sora, OpenAI has joined Runway, Meta, Google, and others in the race toward AI video that nears the quality of traditional live-action video.

OpenAI published a minute-long example of the tool’s work in a blog post, and it’s impressive. The result might send shivers up the spines of actors (none of whom were involved in the making of the clip). The AI system trains on millions of labeled video images in order to create videos based on user descriptions.

OpenAI told the New York Times it’s applying watermarks to the videos Sora creates, but acknowledges that the watermarks can be removed. OpenAI and its backer, Microsoft, are involved in a standards consortium called C2PA that’s developing a method of cryptographically embedding provenance information into the code of AI-generated content.

OpenAI says its not releasing Sora to the public yet, in part because it wants to get feedback from academics and other researchers on how the tools could be used in toxic or misleading ways.

In a blog post, OpenAI says it’s releasing the research, but not the tool, now “to give the public a sense of what AI capabilities are on the horizon.” With any luck, the startling quality of the Sora’s output might give lawmakers another jolt to place usage restrictions and labeling requirements on AI-generated content before it’s too late.

FastCompany

02.15.24

These contact lenses could give you perfectly clear vision

BY Fast Company 3 MINUTE READ

If you wear eyeglasses or contact lenses, this might sound like a sci-fi dream come true: Researchers have designed a new spiral-shaped optical lens that can fix your sight. No matter the distance, or your prescription, everything in front of you will be totally in focus.

But this is no dream device. According to a research paper just published in the peer-reviewed scientific journal Optica, these lenses are very real. They are the invention of Laurent Galinier, an optometrist who developed an acuity measurement system that he sold to the international optical giant Essilor in 2000. Galinier got into a series of ventures after that and, while working on contact lenses for patients with corneal pathologies, his intuition made him stumble upon this extraordinary discovery.

“Remarkably, he observed that certain deformations brought about specific focusing characteristics,” Bertrand Simon, one of the paper’s coauthors, explains over email. “This led him to devise spiraling the diopter [the measurement that represents the optical strength of a lens] of the lenses to achieve multi-focusing.”

Translated: Galinier developed a spiraling contact lens that could replace progressive lenses.

HOW THE SPIRAL MAGIC WORKS

Simon explains that the spiral lenses are created by reshaping the surface of a polymer to generate optical vortices that have distinct focusing properties. Think about these vortices as water swirls that capture light rays and make them “spin.” As the rays spin through the spiral, they form different focal points where the light concentrates. These focal points have the ability to correct your vision problems making everything look in focus, even as the distance of what you’re looking at changes.

In conventional optics, light rays travel along straight paths, changing direction as they go through lenses to make objects look bigger or smaller, correcting their focus at specific distances. This is how your current glasses, binoculars, and cameras work.

Traditional progressive lenses suffer from distortions as you move your eyes up or down to focus on things that are far away or near. This new lens doesn’t suffer from such deformations. Things are always on focus, continuously, the researchers say. This is a key advantage, particularly for those with age-related farsightedness or potential implant users.

The technology has wide potential applications, Simon tells me. It can be used in contact lens technologies, intraocular implants for cataract surgery, other retinopathies, and miniaturized imaging systems, from cameras in phones to drones. Even regular glasses can use this effect, although Simon admits that the spiral shape—which will be partially visible on the glasses—may deter people from wanting to.

In theory, once the technology goes through successful patient trials validation, these lenses would replace the current lineup of progressive lenses, Simon says. So far, early volunteer trials have shown promising results. “Volunteers have shown noticeable improvements in visual acuity at various distances and lighting conditions,” he says.

EXTRAORDINARY POTENTIAL

At the moment, the spiral lenses can correct accommodation defects (a condition that makes your eye lose focus), myopia (a common eye problem where objects far away look blurry), and hypermetropia (the opposite of myopia). “We can also incorporate multiple corrections in one lens,” Simon says. The team has yet to prove the lens’ efficacy in cases of astigmatism, which is one of the most common ocular aberrations, but they’re working on it.

When I asked about the lens’ ability to solve for a macular problem that caused a deformation on my left eye’s retina (imagine seeing the world through Photoshop’s pinch filter at all times and you will see what I see), he said this technology might eventually be able to fix that that, too. “It would be presumptuous to make a broad affirmation, but an interesting observation is that one of our collaborators suffering from retinopathy reported improved vision while wearing these lenses,” he says.

One of the team’s boldest hypothesis is that eventually this spiral lens could ensure everyone has 20/20 vision. “But it still needs to be proven,” Simon says. The researchers believe that the design could lead to hyperacuity, which describes vision beyond what is considered “perfect.” “It’s crucial to express conservatism here,” Simon cautions, as these are preliminary observations and hypotheses.

Establishing a scenario in which people with spiral retinal implants may be able to see as well as an eagle is within the range of possibilities, but declaring these as facts today would be premature, he tells me. To reach that point, and considering the complexity at hand, “we foresee employing [AI-based development] for optimizing the lenses in the future,” he says.

For now, Galinier is working on turning the first version of these spiral lenses into a real product. His startup is developing a range of soft lenses aimed toward commercialization. He’s also working with industrial partners to apply the technology to develop implants and glasses. Personally, I can’t wait. I want these things right now. Sign me up as a test subject already, Simon.

FastCompany

02.14.24

Valentines Day message issues? There’s e-cards for that

BY Fast Company 4 MINUTE READ

By many estimates, the greeting card industry is in decline, with sales shrinking and retailers moving to cut shelf space in recent years as birthday wishes and holiday greetings moved to social media and text.

But for those looking to send their loved ones something more than a text this Valentine’s Day but worried a paper card is a little too 20th century, consider e-cards, which in recent years have moved beyond the basic GIFs of holidays past, with digital card makers offering customization options, embeddable video, digital gift card options, and even artificial intelligence to help you draft the right sentiment.

“One of the first, biggest holidays of the year is Valentine’s Day for our greeting card business,” says Matt Douglas, founder and CEO of Sincere, the parent company of online card maker, Punchbowl.

Douglas, who prefers the term digital greeting card to e-card, in order to emphasize his product’s similarities to print cards, says his business got a big boost in 2020, when voyaging to a drugstore to buy paper greeting cards suddenly felt like a risky proposition. Just as organizations previously committed to in-person meetings suddenly saw the advantage of Zoom, envelope-and-stamp stalwarts came to explore the advantages of digital alternatives.

“We had never seen anything like it in our business,” he says. “It was an inflection point where all of a sudden, the world said, ‘I want to send a greeting card that looks and feels like a greeting card, but I don’t want paper.’”

And just as e-books offer advantages like adjustable fonts and searchability, digital cards bring some pluses, such as embeddable video and notifications when recipients open the cards, he points out. Even when Punchbowl’s cards do purposely emulate the physical cards of yore, they’re heavily customizable, with options to personalize the virtual envelope, stamp, and other design elements—within reason. “We learned the hard way you have to constrain some things,” he says. “Otherwise, consumers create abominations.”

Punchbowl is far from alone in the industry: Print greeting-card giants Hallmark and American Greetings each put their own spin on digital cards; Paperless Post (perhaps best known for the digital invitations featured in a recent Saturday Night Live sketch) offers holiday e-cards in styles from “simple and minimal” to “modern” and “boho”; and Someecards.com has its signature vintage-looking cards available for a range of occasions, from anniversary to divorce. Even NASA has gotten into the act, with customizable e-Valentines featuring satellites, spacecraft, and celestial bodies.

Some nonprofits have e-cards, too, in a kind of update to the gifts like note cards and mailing labels sent to prospective donors in years past. The World Wildlife Fund’s free e-cards (mostly featuring animal puns) help bring in new supporters. Donors giving a loved one’s name can send an e-card announcing the gift, which Sarah Robie, deputy director of digital fundraising and stewardship, says brought in tens of thousands of dollars in revenue last holiday season.

“We often have donors write into us after making a donation, thanking us for offering e-cards or feeling the need to give since they use our free e-cards so often,” Robie said in an email. “And if we don’t update our designs—they notice and ask for new species!”

For a different kind of humor, JibJab, perhaps still best known in internet lore for its 2004 Bush-Kerry election parody of “This Land Is Your Land,” has focused on e-cards since 2007. That’s when it pioneered a distinctive type of card that lets senders embed their own faces on an image or video. The style persists today with Valentines featuring songs such as Sonny and Cher’s “I Got You Babe” and Grease show tune “You’re the One That I Want”—and the technique feels comfortingly far from the uncanny valley of AI deepfakes. CEO Paul Hanges freely alludes to “oversize heads” and “marionette jaws” as elements of JibJab’s signature humor.

“We’re different than other greeting card companies in that we do really lean into the fun, quirky, humorous, don’t-take yourself-too-seriously type of greeting cards,” he says.

And while some of JibJab’s cards do rely on nostalgia, the company has worked with newer influencers, rolling out vertical content shareable on Tiktok and Instagram Reels as the market has shifted from emailed cards and Facebook greetings—and, as of last October, branched out into party invitations. “We’ve been very surprised and very happy with the crossover—people who use our e-cards and come back and use our invites,” says Hanges.

Other card providers also offer their own takes on video greetings—American Greetings gives members of a subscription program access to options like having Weird Al Yankovic or Dolly Parton sing Happy Birthday to their friends by name or sending a custom Valentine full of singing dogs. The company, which declined to comment for this article, also lets senders build custom digital cards with AI assistants to help draft the perfect message.

Rival Hallmark offers its own e-cards, as well as a kind of hybrid service, where buyers can customize a card online and have it mailed directly to the recipient, with no need for a trip to the post office. “Senders can add their own photos or custom messages and handwriting to a real Hallmark card that is then sent directly from Hallmark.com to the recipient,” Hallmark senior director Jackie Stegner said in an email.

And while trends like vertical video and various humor concepts may come and go, digital card makers say they’re confident the medium itself is here to stay as long as people need to send messages for which a basic text simply won’t do.

“The day after Christmas is one of the biggest greeting card holidays of the year as well,” says Sincere’s Douglas. “Is a text or Snapchat enough to say thank you to someone who just spent $100 on gifts for you? Probably not.”